Japan’s Yayoi Kusama, one of the world’s most celebrated contemporary artists, has died aged 97, her company said on Thursday, triggering tributes from around the world.
The “polka dot queen” channelled hallucinations and battles with mental health into vibrant art featuring her trademark dots, nets and infinity motifs over a career spanning decades and continents.
“Throughout an extraordinary lifetime devoted entirely to artistic creation, Kusama pursued an internationally acclaimed career as a pioneering avant-garde artist whose creative practice encompassed visual art, performance, fiction, and poetry,” a statement said, announcing her death on August 14.
“She continued to paint until her final days, never setting aside her brush, and continued exploration of forever love and eternal soul,” it said.
Born in 1929 to a wealthy and conservative family, Kusama began producing her unique signature art aged 10.
“One day, after seeing a tablecloth with a red flower pattern on a desk, I saw the same red flower pattern all over the ceiling, windows and pillars. It filled the room, and covered my body,” she wrote in her autobiography.
After studying art in Japan, Kusama moved to the United States in the late 1950s, and — helped by Georgia O’Keeffe — made a splash in New York’s avant-garde scene.
Visitors stand inside the art installation ‘Gleaming Lights of the Souls’ created by Japanese artist Yayoi Kusama at Louisiana Museum of Modern Art in Humlebaek, Denmark on March 20, 2025.
Despite facing discrimination as a Japanese woman, she won fame for bold, big paintings and provocative 1960s “happenings” featuring body painting and polka dots.
She also launched a fashion line, established a “Church of Self-Obliteration” and styled herself the “High Priestess of Polka Dots” to officiate at a gay wedding.
Returning to Japan in the 1970s, Kusama checked herself into a Tokyo psychiatric hospital, where she lived — and worked — for the rest of her life.
Visitors walk through the installation “Infinity Mirrored Room – The Hope of the Polka Dots Buried in Infinity Will Eternally Cover the Universe” during the last day of the exhibition “Yayoi Kusama” by Japanese artist Yayoi Kusama at the Museum Ludwig in Cologne, western Germany, on August 2, 2026. (Photo by INA FASSBENDER / AFP)
Kusama was instantly recognisable in her bright red wig and bold spotted outfits, and her fame enjoyed a renaissance from the 1980s.
American curator Alexandra Munroe, who organised a retrospective of Kusama’s work in New York in 1989, said she had “no greater inspiration and no greater critic”.
“Her stories changed how the history of avant-garde art was written and understood, and she continued to break through every frontier to become what she always wanted and deserved to be – the most popular and famous artist in the world,” Munroe wrote on Instagram.
Kusama’s infinity rooms, pumpkin sculptures — including one on Japan’s “art island” Naoshima — and immersive installations still attract crowds and have sold for millions of dollars.
“It’s a great quality to be weird and to express yourself no matter what,” Velislava Nuneva, a 21-year-old college student from Bulgaria, told AFP.
Outside the Yayoi Kusama Museum in Tokyo, Nuneva said she was inspired by how the artist managed to succeed in the male-dominated art world of New York.
Yasuko Minami, 58, called Kusama “someone who projected her inner soul in her works like an explosion”.
“She expressed herself honestly,” Minami told AFP.
A life-like robot of artist Yayoi Kusama paining a window stands at the Louis Vuitton store on Fifth Avenue in New York City on January 13, 2023. (Photo by ANGELA WEISS / AFP)
Students Hibiki Karasawa, 20, and Hinata Sakamoto, 19, have visited Naoshima island and seen Kusama’s yellow polka-dot pumpkin in its setting by the sea.
“I feel her work was something that even those who may not be familiar with art can appreciate, with the vibrant designs and bold use of colour, or turning something like a pumpkin into a work of art,” Karasawa told AFP.
“She conveyed her world view in a very unique way.”
“I love the way she uses colours,” said Sakamoto. “Vivid yellow and red. You see it and immediately you know it’s Kusama san’s work.”
The Museum Ludwig in Germany, which dedicated an exhibition to Kusama visited by 480,000 people this year, paid tribute to the “special power of her art”, calling her “experimental, feminist, distinctive”.
Amsterdam’s Stedelijk Museum said it would transform its upcoming retrospective of Kusama into a tribute to her life and work.
Tim Cook, CEO of Apple, called the artist a “true visionary who showed us the power of boundless imagination”.
“Yayoi Kusama’s creativity pushed the art world forward and left behind a brighter, more vibrant world for us all,” Cook said on X.
The post Japan’s ‘Polka Dot Queen’ Artist Yayoi Kusama Dies Aged 97 appeared first on Channels Television.
Follow the story
