For transforming the history, symbols and visual memory of Northern Nigeria into a distinctive contemporary artistic language, and for carrying that language from Nigerian galleries to international fairs, commercial collaborations and major cultural platforms, Williams Chechet is named Artist of the Year 2026.
Born in Kano and raised in Kaduna, Williams Chechet has emerged as one of the most distinctive voices in contemporary Nigerian visual art, building a practice deeply rooted in Northern Nigerian culture while engaging confidently with the wider world. His artistic journey reflects a rare combination of cultural consciousness, technical versatility and imaginative courage. Through digital illustration, painting, collage, graphic design and murals, Chechet has developed a visual language that transforms familiar Nigerian imagery into bold, contemporary expressions.
Chechet, a graduate of Industrial Design from Ahmadu Bello University, Zaria, has had a creative instinct long before his formal training. Drawn to art from childhood, he has developed that early passion into a multidisciplinary practice that refuses to be confined by medium or geography. What distinguishes his work is not merely his ability to work across artistic forms, but his remarkable capacity to reinterpret history, identity and memory for a contemporary generation.
His visual universe is populated by archival photographs, Hausa iconography, traditional dress, horsemen, historical figures and elements of popular culture. Rather than presenting these images as relics of a distant past, Chechet reimagines them through vivid colour, digital manipulation and the energetic vocabulary of pop art. The result is work that feels both historical and futuristic, local and global, familiar and strikingly new.
That artistic language announced itself with particular force in 2017, when Chechet presented We Are The North, his first solo exhibition, in Lagos, in collaboration with Alliance Française. The exhibition became a defining moment in his career, establishing many of the ideas that would come to characterise his practice.
Through the series, Chechet reimagined the people, histories, and traditions of Northern Nigeria through digital manipulation and pop-art aesthetics. At a time when representations of the region were often dominated by narratives of politics, conflict, insecurity, and stereotypes, he offered a compelling alternative. His North was stylish, colourful, futuristic, playful, and culturally self-assured.
In doing so, he created another kind of archive—one that challenged narrow perceptions and expanded the visual possibilities for understanding Northern Nigerian identity. We Are The North was not simply an exhibition; it was a cultural statement. The project subsequently attracted wider attention through platforms such as TEDxMaitama and the Kaduna Book and Arts Festival, further establishing Chechet as an artist committed to reshaping cultural narratives.
The significance of Chechet’s work lies in the fact that it does more than preserve history; it interrogates how history is remembered and who gets to define its visual representation. His creative process frequently draws on archival black-and-white photographs, which he removes from their original contexts and reintegrates into vibrant contemporary compositions.
Through this process, the past enters into conversation with the present, while the future is imagined through an African lens. His work moves with ease between Hausa cultural traditions, Afrofuturism and the global language of pop art. This synthesis gives his art a distinctive identity. It is unmistakably Nigerian, yet never imprisoned by nostalgia.
Chechet has also shown that an artist can remain culturally grounded while speaking to audiences far beyond their immediate environment. His growing international profile reflects the universal appeal of his visual storytelling. He has exhibited in Nigeria, the United Kingdom, the United States, South Africa and Morocco, and his work has appeared on major platforms, including ART X Lagos, FNB Art Joburg, 1-54 Contemporary African Art Fair and the Latitudes Art Fair.
The growing recognition of his work in the contemporary African art market was further evidenced in March 2022, when his 2019 work, Kaboom II, a giclée print on archival paper, was sold at Aspire Art Auctions in Cape Town. These milestones reflect not only the growing commercial visibility of his work but also the expanding international appreciation for contemporary Nigerian artists whose practices are rooted in authentic cultural experiences.
His solo exhibitions have equally reflected the evolution and maturity of his practice. Hyperflux, presented by Retro Africa in 2020, explored identity, memory and self-representation through the visual language for which he had become known. In 2023, he presented Wake Up We’re Still Dreaming at Eclectica Contemporary, further demonstrating his willingness to explore new questions and to expand the conceptual boundaries of his work.
One of the clearest demonstrations of Chechet’s ability to take art beyond conventional gallery spaces came at ART X Lagos in 2024. Commissioned by NBA Nigeria for the NBA Meets Art project, he created Breaking Barriers, a large-scale mixed-media installation inspired by basketball’s movement, teamwork and communal energy.
The installation brought together magazine clippings, textiles, slogans and Chechet’s signature African pop-art aesthetic to explore themes of unity, resilience and social change. A second installation, Rise Together, extended that engagement by inviting visitors to contribute to a collective collage. In that moment, art became participatory, transforming the audience from passive spectators into active contributors to the creative process.
Chechet’s career is also notable for his ability to move between fine art, design, music, sport and commercial culture without compromising his artistic identity. He has created murals for Hard Rock Cafe Lagos, MTV Base Africa, CoLab and RydeFit. His graphic design portfolio includes album art for leading Nigerian musicians, notably M.I Abaga, as well as for artists associated with Chocolate City and Loopy Music.
His approach challenges the artificial distinction between commercial design and serious artistic practice. For Chechet, African visual storytelling can exist in galleries, on city walls, on record sleeves, in digital spaces and within consumer culture while remaining intellectually engaging and culturally authentic.
That versatility found another expression in his collaboration with Glenfiddich, for which he designed limited-edition sleeves celebrating Mr Eazi, Nancy Isime and Ifeanyi Nwune. The collaboration culminated in the 2025 Celebrate the Bold exhibition at SOTO Gallery in Lagos, where portraiture, design and storytelling converged around themes of identity, courage, ambition and cultural inheritance.
Beyond exhibitions, commissions and international recognition, Chechet’s greatest contribution may lie in what his career makes possible for Nigerian visual culture. He has expanded the imagery through which contemporary Northern Nigeria can be seen and understood. In his work, historical figures and archival photographs are not frozen in time; they are reintroduced to the present with new colour, context and relevance.
Williams Chechet has created a visual bridge between generations, allowing heritage to engage with technology, tradition to converse with popular culture and Nigerian identity to speak confidently to a global audience. His body of work is visually arresting, historically conscious and unmistakably his own. It demonstrates that preserving heritage does not mean freezing it in the past; rather, heritage can be reinterpreted, reinvented and carried boldly into the future.
For giving Nigerian cultural memory a bold and contemporary visual language, expanding the representation of Northern Nigerian identity, widening the international visibility of Nigerian art, and demonstrating the power of creativity to connect history, identity and the future, Williams Chechet is a deserving Artist of the Year 2026.
